Amy Herzog - Images of Thought and Acts of Creation: Deleuze, Bergson, and the Question of Cinema
نویسنده
چکیده
Gilles Deleuze, in his two books on film, Cinema 1: The Movement-Image and Cinema 2: The Time-Image, proposes a revolutionary approach to film theory. Drawing on Deleuze's own philosophy of repetition and difference and the work of Henri Bergson, the Cinema books extend these theories to foreground those aspects that are most essential to the medium: that film unfolds in time, and is comprised of everdifferentiating planes of movement. Deleuze's writings as a whole resonate with correspondences between concepts of transformation, difference, and the forces of impersonal time. Bergson's work is consistent with the thrust of this project, so Deleuze's exploration of Bergson in this context seems, on the one hand, unquestionably valid. In addressing the cinema, however, Deleuze transposes these theories, which are
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Ontology of Time in Cinema A Deleuzian reading of Still Life and Prince Ehtejab With an emphasis on the concept of Time-Image
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...
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